fast shutter- 1/100, 1/125, 1/250, 1/500, 1/1000 --> of a second (above 100)
slow shutter- 1/30, 1/15, 1/10 - below set on support or use tripod
paint with light - dark background - 1" - 5" = seconds
Time lapse can be several seconds to several hours

 
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 1.- Edward Muybridge took photographs of motion, and he was famous for taking pictures of the landscape of Yosemite Valley.
 2.- The Sallie Gardner at a Gallop determines that a horse lifts all four feet completely off the ground
 3.- A photograph is captured at a 1/800 freeze motion meaning that the picture does not show blur.
 4.- Fast shutter speed is the effective length of time a camera's shutter is open: sparklers moving in circle motion with exposure of 4 seconds ex of light painting, a photo of street during the night with the exposure of 30 seconds, lightening striking with the exposure of 15 seconds, etc.
 5.- Blurring motion is the visible lines of quick moving objects.
 6.- Slow shutter speed can be called long exposure times meaning this involves using a long duration shutter speed to clearly capture the stationary elements of an image: photographs of the stars moving at night with 45 minutes in time, a watch in the dark, waterfalls in motion for 30 seconds long exposure, etc.
 7.- The cotton candy effect is the effect that one can make on a picture depending on what the subject is, as in making it look like a cotton candy, soft-like feature.
 8.- Light painting is a photographic technique in which exposures are made by moving hand held light sources.
 9.- When capturing images of sports the best shutter speeds to use would be Shooting at 1/100 of a second or 1/80 of a second allows the player to be in focus and sharp but the background to be very blurry and creates a cool effect.
 10.- The rotation in a horizontal plane of a still camera; results in a motion similar to that of someone shaking their head "no" or of an aircraft performing a yaw rotation.

 
     1. The Image
 The subject of the image is Bella. This picture was taken in a car right after she had just woke up. The foreground of the image, in this case, would be the bottle she was holding onto in both of the pictures. The background is her car seat. The way she was smiling at the perfect moment without me having to struggle to make her giggle was great, because it makes it stand out, out of my other photographs. Also the way she is smiling and kinda of like posing without her looking at the cell phone was awesome and adorable.

     2. The Process
 Well, this was done in the morning while waiting to find people to go preach to. Bella was sleeping and I was holding onto an orange juice bottle, and when I took out my mom's cell phone Bella was waking up. So I handed her my bottle and she smiled, closing her eyes and opening her mouth up wide showing her bottom teeth. Same with the other picture she was giving me back the bottle and still smiled. The reason why i chose to take the picture was because I saw the way the baby way sleeping and she looked so cute hugging her blanket but it was to late to take the picture of her sleeping. Still i got good shots of her giggling.

     3. Elements of Art and Principles of Design
 I see the lines by the length of her arms and on the side of her face on her seat. Another is element is shapes. There is a lot in this 2 pictures; for example the bottle's cylinder shape with a circular cap. Her head's shape is kind of round as well. Shadows is another, the sun was hitting her on the left and she was making a shadow towards her car seat.

     4. Photographic Development
 This photo is meaningful to me because this was taken when she could barely walk yet. She was so tiny and now to see her goofing around, running all over the place along with her little buddy Lani. What this shows about my photography is that, I take pictures in natural ways. I do not enjoy taking the time to fix objects and make them look nice. I want to see the truth and not a lot of professionals use this skill for the images. They have to fix everything for their portraits to look "fabulous".

 
Tip #1: fill the frame
Tip #2: use the foreground & background
Tip #3: use flattering light
Tip #4: get in close
 
   A headshot is a photographic technique where the focus of the photograph is a person's face. A headshot is a specific type of portrait. A headshot is an image that portrays a person as he is, however simple or stylized the image might be. In contrast to the head shot, an environmental portrait would portray a person with elements of his life such as his work, interests, etc. Head shot photographs are often used for identification purposes. They are generally front-on (facing straight at the camera) photographs, with the face being in the centre of the picture and containing minimal or no surroundings. The facial expression is usually neutral and often require the temporary removal of facial accessories such as glasses.
Head shot photographs are used as passport photos, mug shots and on other forms of photo identification, such as driver's licences, student cards, security cards and at times on credit cards.
   The Head and Shoulders formation is one of the most well known reversal patterns. On the technical analysis chart, when a price trend is in the process of reversal either from a bullish or bearish trend, a characteristic pattern takes shape and is recognized as reversal formation.
 
   A snapshot is spontaneous and quick, most often without artistic or journalistic intent. As for a portrait, artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person.
   The quote is “the name of the game is to fill the frame.” – Rick Sammon. Your mid fixes its gaze, and only begins to focus on the detail. This is how, as photographers, we should use our tools to draw the viewer's eye, emotions, and perception. As a photographer, we should use this concept to get close and fill the frame. Being up close and personal to a subject brings the viewer in. This technique allows us to lean forward and examine all the small details that make up the wondrous object before us. Filling the frame offers a sense of completeness, clarity, inclusion, and comfort. We essentially “dive in,” and experience the true essence of what the subject has to offer. This theory of “to fill the frame” can be applied to any and all forms of photography that you run into. Landscape, macro, portrait, architecture, product, wedding, lifestyle… You should always “fill the frame.”
    The 3/4 shot concept came again from film making where the shot of the character goes from his knees up to his head. It basically means, show me 75% of the model.
     A profile shot is a photo of you from the side. It's usually of your face so people can get a clearer look of your jawline/nose/etc.
   Close-up tightly frames a person or an object. Close-ups are one of the standard shots used regularly with medium shots and long shots. Close-ups display the most detail, but they do not include the broader scene. Moving in to a close-up or away from a close-up is a common type of zooming.